Posts, articles and links mostly concerning the painting of miniatures. Lead Painters League posts, links to resources and inspiration elsewhere, and such.
Painted this guy up fairly quickly over a couple of days, after getting it a few weeks ago from Forge of Ice. I wasn’t sure if I wanted to do the statue up in bare stone, painted, or a mix, but it wound up being mostly painted. Basecoat in black, and then lots of drybrushing in various tans up to a bit of pure white, and then I used inks and washes to add the colour while keeping the drybrushed highlighting visible.
The final product looks like an ancient statue painted a very, very long time ago, which seems right for something either in a ruin somewhere or populating an unimaginably old Lost World temple complex!
I also have this fun sabretooth tiger skin rug in progress, and I like the blends I’ve been getting so far on the fur, thanks partially to using glaze medium. Just a few details to finish up on this one.
Rummaging through one of my boxes of random figures last week (as one does…) I came across one of the random Reaper fantasy figures I’d picked up on clearance over the years, the massive wolf-like Warg. No modern Bones resin-plastic lightweight here, this is a solid pewter beast nearly as big as a 28mm horse!
The base was assembled from three pennies and a bunch of Milliput, the warg got primed, and then it went into storage sometime in early 2014 (when the first paragraph above was written…) until just after New Years 2020, when I said to myself, as I was painting other demon dogs and werewolves, “Self, don’t you have a massive great pewter warg somewhere, bought many years ago?”, and after more rummaging in more boxes of miniatures than I’d like to admit to, the warg saw the painting bench for the first time in six years or so, and it was good.
The thing is even bigger than I remembered it being, over head high at the shoulder next to a similarly based 28mm figure and taller and bulkier than a warhorse. The base is roughly 20mm wide and 45mm long, and muzzle and tail stick out over both ends.
Looking forward to seeing this guy loping across the playing field, eating people and stealing souls, or perhaps the other way around! You never know with demonic canines…
This pair of guns were ordered from The Assault Group as part of the insanely slow to arrive order of June-September 2017. I finished the artillery crew at least a year ago and the guns have sat on one corner of my painting bench the whole time, cleaned up and dry-fit together but otherwise untouched.
The guns are nicely sculpted and cleanly cast, needing minimal cleanup. I spray primed and did most of the painting before assembling either gun, and on the basis of no research whatsoever decided to do the big culverin with a dark red frame and the smaller lighter falconette in green. Each gun has the body and tail as a single piece cast, the two wheels, and the barrel, and the wheels fit on much better than I’m used to with white metal parts, hardly any nudging of the axle pieces around to get everything square and solid.
Nothing fancy about the painting, just a couple shades of Reaper paints, various washes (mostly GW), and a bit of edge highlighting that totally doesn’t show in either of these photos. Ah well.
The eventual plan (once they reopen…) is to get a pair of custom artillery bases lasercut in 2mm MDF by the excellent folks at Warbases that will have round holes for six crew figures to slot into and a flat area for whichever gun is in use, so that the crew aren’t weirdly raised over their gun because they’re based and it isn’t.
I’m still not sure I’ll ever order anything from The Assault Group in the future, but if I do I’ll do it expecting a four to six month wait for my stuff, and rather like these guns, I’ll make sure it’s for figures or bits that I don’t need in any particular hurry or have an actual timetable built around! Given that I have no plans to do large scale 28mm battles in the English Civil War, 30 Years War, or any 17th C-theme gunpowder fantasy equivalent, a mixed pair of guns should be all I’ll need for now!
Ordered a few things from the excellent and varied ranges of Bad Squiddo Games back in March; things took longer to get from the UK to here than I’m used to, almost like some major world event is disrupting trans-Atlantic flights or something. However, everything was dispatched from the UK in good time and I am certainly not going to blame Anne of Bad Squiddo or the various postal services involved for a lack of air mail capacity…
I got a fairly mixed bag of stuff. A few ladies that will probably show up mostly as players or civilians in my English Civil War/Weird ECW games, a fine herd of pigs and some farm scenery, a bunch of cats, and some small scenery to add detail here and there, including a whole lot of mushrooms and toadstools for suitably creepy weird fantasy/horror forest bits.
Everything is really cleanly cast and beautifully sculpted. The scenics are mostly by the very talented Ristul and in an interesting slightly flexible grey resin; the white metal sculpts are by a variety of sculptors and all really well done.
Not pictured above is the pigs, my favourite single part of this purchase. I indulged in the Pigtopia bundle deal which got me ten pigs and six bits of pigsty/farm scenery. I’ve already painted the pigs up, basing them in small groups on 40mm bases.
I painted the pigs up to vaguely resemble one of the oldest heritage breeds of pig in the UK, a black-and-white breed that I now can’t find or remember the name of. Anyway, they painted up nicely and I look forward to watching them chase players around the table or be part of someone’s provisions on the hoof in a scenario.
(Or, The Workbench This Week, 12 April 2020, also known as the 43rd of Marprilay, Blursday the Somethingth of Pandemic)
Strange times, faithful readers. Strange and stressful, and one of my stress responses is to flit from project to project, starting things and then flitting off before they get very far.
This long Easter weekend, though, I’ve been nudging myself to actually move a few things noticeably closer to actual completion. The first small sign of this is the three critters below, two cats (from Eureka, I think) and a Reaper War Dog finally moved along to the flocking-and-base-detailing stages.
The cats have been on the edges of my painting table for almost exactly five years now, as my email archives tell me I made the Eureka USA order for them (and other stuff) back in March 2015. There’s another two of them somewhere in the “nominally in progress” mountain somewhere, but this white cat and the orange tabby will have to do for now.
No idea how they’ll be used in games yet… maybe I’ll come up with a Pulp Alley games that involves chasing cats around a quaint English village looking for a clue one of them has attached to their collar. No gunfire, you’ll scare the cats into hiding!
So what else is on the rest of the workbench, hopefully lurching closer to completion? A whole mix of stuff (surprise…)! I’m quite please with the progress I’ve made on the nice little Renedra Wattle & Daub Outbuilding, some long-neglected ECW cuirassier are seeing basing progress, I’ve been building some Frostgrave wizards and soliders as mentioned in my last post, and the whole mess of werewolves (over on the far right of the photo above) are meandering onward.
Stay home, stay safe, attempt to stay sane, and I hope you and yours are well.
Way back in December 2018 on Twitter, Bears Head Miniatures showed off pictures of their new Beholder-alike floating eye beastie, Narthoks the Excellent. I made an offhand comment of, “With that expression, somehow I see him as the wholly unexpected barkeep behind a very strange bar somewhere, towel draped over one tentacle, goblets and beer mugs in the other tentacles…”
With that expression, somehow I see him as the wholly unexpected barkeep behind a very strange bar somewhere, towel draped over one tentacle, goblets and beer mugs in the other tentacles…
A drawing of the Kickstarter exclusive Narthoks The Excellent Bartender. Drawn by @MartinWhitmore . To whet your appetite whilst the sculpting happens. pic.twitter.com/xOP9tCF6W6
…and naturally I had to join their Kickstarter, even though I had no particular use then or now for a Beholder, in bartender guise or otherwise! (is a bartending Beholder actually a Beerholder? A Barholder?)
So what did I get for my offhand comment? Narthoks is a big chap, roughly 2 and a half inches across at the tentacles and about 2 inches tall from bottom of tentacles to top of head/topmost eyeball. Taller than that once he’s on his flying base, of course. He’s got a towel and glass in his frontmost tentacles, a cocktail shaker in his right-hand tentacles, and a bottle and glass in the left. All the bar-ware is scaled to Narthoks, which means the glasses and shaker are the size of barrels from a human viewpoint!
The figure is resin and nicely cast, with only a bit of cleanup along seams and some casting flash. He’s in two parts, tentacles and base/neck (?) and then head, and while the seam between them has more gaps than I’d normally like to see, the textured nature of his skin makes disguising this seam easy once you break out the greenstuff.
Anyway, after Narthoks the Barholder showed up in May 2019 he sat in his box until just a few weeks ago (end of January 2020), when I felt the need to radically change up my painting after painting a couple of dozen lovely but fussy and tiny 1:1200 WW2 naval boats!
Narthoks’ underside is various shades of bright blue, his topside is mostly Imperial Purple, shaded down with Nightshade Purple and highlighted with Amethyst Purple. The eyeballs were painted Pure White then glazed with a variety of yellows, reds, and oranges.
Final highlights on Narthoks’ body were a mix of Amethyst Purple, Pure White, and glaze medium, 1:1:1; this is most visible on the eyelids and on the bits just above the “horns” along each side of the body. The eyeballs have all had a coat of gloss medium, although as I haven’t given the whole miniature the usual coat or three of protective matte varnish, this gloss will have to be redone in due course. Ah well.
Narthoks comes with a standard clear plastic flying base; I ran a length of paper clip wire up into him for a painting handle and to help pin the two halves of his body together. I’ll trim that short and slot it into the post of the flying base, but I might replace the clear plastic base with something more bar-like, either flagstones or a wood floor. I’m actually tempted to get a small display dome for Narthoks and put him on one corner of my home bar cabinet as a mascot of sorts, as I currently have absolutely no actual gaming-related use for this awesome figure!
I finally have painted ships (well, boats, mostly) to go with the coastal terrain I’ve been showing off!
All my 1:1200 naval stuff so far is from Last Square, the Figurehead range. Last Square are very easy to deal with and shipping from the States up to Canada was quick, although their website is one of the most glacially slow I’ve seen in recent years!
The figures are incredibly detailed for such tiny models. I’m not kidding when I say I own 28mm figures with less detail on them than these little boats!
For painting I hot-glued everything to 6″ craft sticks/tongue depressors, which worked well. I plan to use clear plastic bases (which aren’t here yet, the Litko order of custom bases is enroute) so couldn’t base the boats before painting. I did the Royal Navy & merchant ships first, and cramped myself too much – about four ships per craft stick is a good spacing, closer and your ships get in the way of the brush.
For Royal Navy colour schemes/camoflauge patterns I picked up an ePub copy of Mal Wright’s British and Commonwealth Warship Camouflage of WW II – Vol I from Pen & Sword, and can highly recommend that book if you need inspiration for your RN coastal warfare boats. We tend to think of warships as grey (well, I do, anyway) but the WW2 RN used a lot of white and blue disruption or dazzle pattern schemes on their vessels, some of them complicated enough to be challenging to reproduce in 1:1200 scale!
I’ve got sixteen Royal Navy vessels right now, ranging from tiny 70′ Vosper Motor Torpedo Boats (MTBs) to armed trawlers to both Torpedo and Gun (MTB/MGB) versions of the famous Fairmile D (“Dog boat”) vessels.
For the German Kreigsmarine there doesn’t seem to be a handy single-volume book of paint schemes like there is for the Brits, but after some questions on the Naval Gaming FB group and some Google Image rummaging I decided on a simple off-white for the famous Schnellboote and a grey-and-dark-grey disruption pattern on the more utilitarian Raumsboote.
With dozen Kreigsmarine, sixteen Royal Navy, and a pair of small coastal merchant ships I’m set for a good variety of scenarios already. More S-boats, more merchants, and some of the missing classes of Royal Navy Coastal Command vessels, especially the very common Fairmile B, will come in the future, but this is a good mix for a mid- to late-war setup, from 1942 or so to the end of the war in Europe.
Our first game should be this Sunday, using Narrow Seas by David Manley. Need to print off ships sheets and a few other things before then!
First links of interest of the new year – and the new decade, come to that!
Dana Howl has a fairly new YouTube channel that I discovered via Twitter. She’s a great antidote to the shouty beardy death metal school of YT videos, being soft spoken and very, very dry humoured. Her favourite video of mine so far is her introduction to using glazing & glaze medium on miniatures, which is a new technique to me. I’ve picked up a small bottle of glaze medium from my local art supply store and while I’ve not used it much yet, it’s another very useful tool in anyone’s painting toolbox. I think it’ll be especially useful on large monsters. I’ve got a huge Reaper Bones dragon that I got in one of their Bones Kickstarters that I should start painting one of these years…
Another recent (to me) find of small scale scenery is over at League of Augsburg, where Jim is building whole chunks of coastal England to sail 1:2400 scale Anglo-Dutch War ships upon. He’s actually using the same Brigade Models small scale buildings I am, and they work just fine in a scale half the size of the one I’m using them in.
I’m currently attempting to paint impossibly tiny 1:1200 coastal warfare boats without going mad or blind, and Mal Wright’s excellent little handbook on Royal Navy WW2 paint jobs British and Commonwealth Warship Camouflage of WW II – Vol I has been incredibly useful. It’s available in ePub (the linked version) and traditional dead-tree from Pen & Sword in the UK; I went for the ePub because I didn’t feel like coughing up for S&H for one book, but I might actual also buy the “real” book at some point. Mr. Wright is apparently currently working on a similar volume for the Americans and Japanese in the WW2 Pacific theatre, which is awesome, and has apparently also done some work toward a German Kreigsmarine counterpart to his Royal Naval series.
More soon, including photos of those impossibly tiny coastal warfare boats!
Most of the painting is finished on the various Reaper dogs last seen a few weeks ago, and they’ve painted up so nicely I’m going to show them off before they’re entirely finished, which I do not usually do.
The Moorhound got a black basecoat; the other four got a dark brown basecoat. No particular reason, honestly. Most of the texture was brought out by simple drybrushing in a variety of off-white shades, then some highlights all the way up to pure white, and some selective shading with washes. I pushed the contrast more than I usually do and I think it works really well for these otherwordly demon-dogs.
The bases all five dogs are on are 40mm rounds built up from sheet styrene and putty; I’ll get flock and tufts on them in the next couple of days. Then I need to figure out stats for these in Pulp Alley 2nd Edition and unleash them upon our tables!
Dogs and cats living together! Chaos and disorder!
Well, something like that. Horses and armour, at least.
I realized that all twelve horses for my regular ECW cavalry are all brown. Every last one of them. There’s a bunch of variation in tone, mane colour, stuff like that, but they’re all bay, which is horse-speak for brown. Well, some of them might be chestnut, which is horse-speak for “lighter reddish brown”, more or less. For the six horses I needed for the current batch of cuirassier I decided to mix it up a lot. There’s a white horse, two different shades of grey, two different bay, and one black horse.
Unfortunately I totally forgot to write down any of the paint mixes or layers I used for this batch of painting, so I’ll have to re-invent the wheel, or at least the horse paint, next time I do horses!
For the armour, I put pins up into the backsides of all six cuirassier, making them extra-long to make painting easier. Then I used a scrap CD, two lengths of scrap wood, and my hot glue gun to create a very useful little painting stand, seen in the photo below.
All six riders got all their armour basecoated bright silver (Reaper’s True Silver), then various inks and washes were layered over to try for a treated-metal appearance as discussed in my last post on coloured armour.
GW’s washes don’t work as a base layer for this, I discovered right away. They’re not designed to stay on flat surfaces particularly well, although they shade crevices and lower areas of a surface very nicely. I used India ink for the three blacked armour sets, Reaper’s Red Ink for the russeted armour, and FW Artist’s Acrylic Inks for most of the rest of the colour.
The three blacked armour riders were basically done after one coat of thinned India ink, and then I went back in with metallic paint to do some of the edges and highlights, especially on the rider in the foreground of the photo with the hammer and plume.
The two russetted armour guys and the one blued rider (far left) got at least a couple of more layers, including either very, very thin India ink or GW’s Nuln Oil to darken the bright initial ink coat. The blue guy especially looked incredibly bright and weird after his first coat of just blue ink – my girlfriend saw him and said, “Seventeenth Century Power Ranger!” and damned if she wasn’t right…
I’ve also discovered that these guys are nearly impossible to get a decent photo of in their current setup, the above blown out and fairly crap photo is less crap than all the rest. I’ll try for better pictures once the riders and horses are all attached to each other. Still to do is boots, saddles, faces, and weapons.
I’m really pleased with how these guys are turning out so far, and I think they’ll look great on the tabletop once they’re all finished. Ink over silver is definitely a win for doing coloured armour!